The Ashurst Emerging Artist Prize 2021 will be awarded to artists that show significant potential, interesting ideas, a relevant message and skillful execution. We understand that talented artists exist in many forms, so endeavour to appeal to emerging artists of all ages and career paths, whether student, graduate, full-time or part-time, and from any country.
Ashurst's aim in sponsoring the Emerging Artist Prize and Emerging Artist Programme is to find, build and support the careers of talented international emerging artists and get their art seen by a wider audience.
Ashurst's aim in sponsoring the Emerging Artist Prize and Emerging Artist Programme is to find, build and support the careers of talented international emerging artists and get their art seen by a wider audience.
The Prizes
|
The Ashurst Emerging Artist Prize Overall Award:
£3,500 of prizes, comprising £3,000 cash prize award, and £500 Cass Art voucher Exhibition of a collection of your artworks in the Ashurst Emerging Artists Gallery for Oct-Dec 2021 The Ashurst Emerging Artist Prize Sculpture Award: £2,000 of prizes, comprising £1,750 cash prize award, and £250 Cass Art voucher Exhibition of a collection of your artworks in the Ashurst London HQ for Oct-Dec 2021 The Ashurst Emerging Artist Prize Photography Award: £2,000 of prizes, comprising £1,500 voucher with Genesis Imaging and £500 cash prize award Exhibition of a collection of your photographs in the Ashurst London HQ for Oct-Dec 2021 The Ashurst Emerging Artist Prize New Media Art Award: £1,500 cash prize award Exhibition of a collection of your artworks in the Rich Mix Mezzanine Gallery for early 2022 The Ashurst Emerging Artist Prize Choice Award: £1,500 of prizes, comprising £1,250 cash prize award, and £250 Cass Art voucher Exhibition of a collection of your artworks in the Ashurst London HQ for Oct-Dec 2021 |
We have announced the 2021 Winners... We announce new partnerships: Sotheby's Institute of Art and Made in Bed Magazine We announce £10,000 of prizes, physical exhibitions and our talks will be live broadcast! |
Criteria for Artists & Artworks
Main Entry Details:
(1) There is no restriction on the artist regarding age, training or nationality. You may enter from any country, and can be based in any country.
(2) All types of art are accepted for this competition.
(3) The artist must not have exclusive representation, to enter this art competition.
(4) Artwork size must be less than 275cm x 275cm x 50cm for artworks to be hung on the wall, and less than 275cm x 275cm x 200cm for sculptures. If you are unsure, please contact us. Image files should ideally by at least 2000 x 2000 pixels in size (we don't look at dpi) , and the file size should be under 20Mb.
(5) Once you have completed the online entry form, you will be sent to the payment page to pay the entry fee. Please select the correct payment option and enter your name in the notes.
(6) Entry Fee is £20 for first artwork, then £10 per additional artwork, up to a maximum 5 artworks. You can also pay in US Dollars and Euros too. If you wish to pay in any other currency, please contact us.
(7) To also be considered for the New Media Artist Prize, you must clearly specify details of your medium and submit a still image that represents the artwork, and can submit a WeTransfer link to download the sound or video file, or Vimeo, YouTube or website page.
(8) Further details are in the Terms and Conditions page here.
New Media Award Entry Details
(1) If you are submitting a new media artwork then you need to submit a photo image file that represents it in some way, and you can also share a WeTransfer link to download the multimedia, sound or video file in the artwork commentary section of the form. You can also share a Vimeo link, a YouTube link or other website link to the artwork.
(2) Please outline what AV or display needs you would require and what you intend to supply yourself
(3) Submissions must be considerate of the size and orientation of the gallery space. We are restricted to 275cm x 275cm x 200cm sizes
(4) We are open to work that encompasses moving images, mobile apps, interactive installations, and sound art. If you are unsure of whether your work is eligible please contact us directly on [email protected]
(1) There is no restriction on the artist regarding age, training or nationality. You may enter from any country, and can be based in any country.
(2) All types of art are accepted for this competition.
(3) The artist must not have exclusive representation, to enter this art competition.
(4) Artwork size must be less than 275cm x 275cm x 50cm for artworks to be hung on the wall, and less than 275cm x 275cm x 200cm for sculptures. If you are unsure, please contact us. Image files should ideally by at least 2000 x 2000 pixels in size (we don't look at dpi) , and the file size should be under 20Mb.
(5) Once you have completed the online entry form, you will be sent to the payment page to pay the entry fee. Please select the correct payment option and enter your name in the notes.
(6) Entry Fee is £20 for first artwork, then £10 per additional artwork, up to a maximum 5 artworks. You can also pay in US Dollars and Euros too. If you wish to pay in any other currency, please contact us.
(7) To also be considered for the New Media Artist Prize, you must clearly specify details of your medium and submit a still image that represents the artwork, and can submit a WeTransfer link to download the sound or video file, or Vimeo, YouTube or website page.
(8) Further details are in the Terms and Conditions page here.
New Media Award Entry Details
(1) If you are submitting a new media artwork then you need to submit a photo image file that represents it in some way, and you can also share a WeTransfer link to download the multimedia, sound or video file in the artwork commentary section of the form. You can also share a Vimeo link, a YouTube link or other website link to the artwork.
(2) Please outline what AV or display needs you would require and what you intend to supply yourself
(3) Submissions must be considerate of the size and orientation of the gallery space. We are restricted to 275cm x 275cm x 200cm sizes
(4) We are open to work that encompasses moving images, mobile apps, interactive installations, and sound art. If you are unsure of whether your work is eligible please contact us directly on [email protected]
Timetable
The competition consists of two stages.
Stage 1: Enter via the online form here. Final deadline for entries is ,Sunday 31 January 2021, 23:59 GMT/London Time.
Shortlisted artists will be notified and invited to send in the chosen artworks to Ashurst's London HQ in June 2021, for exhibiting and final stages of judging.
Shortlisted artists will be announced to the public in June 2021.
The Shortlist Exhibition will be on display to the public from June to September 2021
Stage 2: Judging will take place and the winners announced in September 2021.
Shortlisted artworks will be available for collection in September 2021.
The winners will be invited to curate, with the support of the organisers, an exhibition of their artworks in the Ashurst Emerging Artists Gallery for October to December 2021.
Key dates are below:
19 October 2020: Open for Entries.
31 January 2021: Final closing date for Entries. Please enter as early as possible so we ask for errors to be fixed and work with you to correct them, as we can't accept corrections after this date.
June 2021: Shortlisted artists to deliver the original artworks to the Ashurst London offices.
June 2021: Those Shortlisted in Stage 1 will be announced to the public.
June - October 2021: Shortlisted entries will be exhibited in the Ashurst Emerging Artists Gallery for final judging.
October 2021: Winners to deliver the artworks to the Ashurst London offices.
November 2021: Prize winners will be announced to the public.
November 2021: Shortlisted artworks to be collected from Ashurst.
October - December 2021: Winners exhibitions will be open to the public at Ashurst's London offices.
January 2022: Winners to collect artworks from Ashurst.
Stage 1: Enter via the online form here. Final deadline for entries is ,Sunday 31 January 2021, 23:59 GMT/London Time.
Shortlisted artists will be notified and invited to send in the chosen artworks to Ashurst's London HQ in June 2021, for exhibiting and final stages of judging.
Shortlisted artists will be announced to the public in June 2021.
The Shortlist Exhibition will be on display to the public from June to September 2021
Stage 2: Judging will take place and the winners announced in September 2021.
Shortlisted artworks will be available for collection in September 2021.
The winners will be invited to curate, with the support of the organisers, an exhibition of their artworks in the Ashurst Emerging Artists Gallery for October to December 2021.
Key dates are below:
19 October 2020: Open for Entries.
31 January 2021: Final closing date for Entries. Please enter as early as possible so we ask for errors to be fixed and work with you to correct them, as we can't accept corrections after this date.
June 2021: Shortlisted artists to deliver the original artworks to the Ashurst London offices.
June 2021: Those Shortlisted in Stage 1 will be announced to the public.
June - October 2021: Shortlisted entries will be exhibited in the Ashurst Emerging Artists Gallery for final judging.
October 2021: Winners to deliver the artworks to the Ashurst London offices.
November 2021: Prize winners will be announced to the public.
November 2021: Shortlisted artworks to be collected from Ashurst.
October - December 2021: Winners exhibitions will be open to the public at Ashurst's London offices.
January 2022: Winners to collect artworks from Ashurst.
How to Enter
|
We are now closed for entries until autumn 2021.
Complete the digital Entry Form. You will need to submit images of your artwork and complete as many details as you can. Further tips and advice can be found in our Blog. |
Terms and Conditions
|
Click here for the full terms and conditions.
|
Judging Panel
Entries will be assessed for the art award on a variety of criteria and not necessarily on the tastes of individual judges. Our main aim is to find artists that show significant potential, interesting ideas, a relevant message and skilful execution.
Conrad Carvalho (Panel Chairman)
art consultant at Oaktree & Tiger, collections manager for the Ashurst art collection
art consultant at Oaktree & Tiger, collections manager for the Ashurst art collection
An expert in emerging art, having started Oaktree & Tiger in London to launch a diverse selection of international emerging artists, organising exhibitions and placing their artworks with private clients around the world.
Conrad has also given lectures, at Sotheby's Institute of Art and University of the Arts London, and various talks on art and business. He is currently advising artists on promoting their own work to gain new collectors and attract gallery representation for themselves. He works on a wide range of art projects and places carefully chosen emerging artists in a variety of projects and spaces, including corporate and commercial spaces. He also gives art investment talks to private and corporate clients.
Conrad recently launched a new corporate collection of emerging artists for Ashurst LLP, and more details can be found at www.ashurstart.com.
You can see more at www.oaktreeandtiger.com
Conrad has also given lectures, at Sotheby's Institute of Art and University of the Arts London, and various talks on art and business. He is currently advising artists on promoting their own work to gain new collectors and attract gallery representation for themselves. He works on a wide range of art projects and places carefully chosen emerging artists in a variety of projects and spaces, including corporate and commercial spaces. He also gives art investment talks to private and corporate clients.
Conrad recently launched a new corporate collection of emerging artists for Ashurst LLP, and more details can be found at www.ashurstart.com.
You can see more at www.oaktreeandtiger.com
Dr David Anfam
Curator, art historian and writer
Curator, art historian and writer
David is Senior Consulting Curator at the Clyfford Still Museum, Denver, and Director of its Research Center. Based in London, Anfam’s many books and catalogues over the past forty years include studies of Jackson Pollock, Edward Kienholz, Howard Hodgkin, Wayne Thiebaud, Brice Marden, Jeff Elrod, Anish Kapoor and Mark Rothko: The Works on Canvas – A Catalogue Raisonné (Yale University Press, 1998), which received the 2000 Mitchell Prize for the History Art.
He is the preeminent authority on Abstract Expressionism and his exhibition Abstract Expressionism, held at the Royal Academy of Arts last year, was described by Jackie Wullschlager, Chief Art Critic at the Financial Times, as "the most pleasurable, provocative exhibition of American art in Britain this century".
See the Lynda Benglis exhibition at the Museum of Cycladic Art, Athens, curated by Dr David Anfam: https://neon.org.gr/en/exhibition/lynda-benglis-in-the-realm-of-the-senses/
You can see more at www.royalacademy.org.uk/exhibition/abstract-expressionism and www.clyffordstillmuseum.org/research-center/ and https://www.yahoo.com/entertainment/lifeline-clyfford-still-215646065.html
He is the preeminent authority on Abstract Expressionism and his exhibition Abstract Expressionism, held at the Royal Academy of Arts last year, was described by Jackie Wullschlager, Chief Art Critic at the Financial Times, as "the most pleasurable, provocative exhibition of American art in Britain this century".
See the Lynda Benglis exhibition at the Museum of Cycladic Art, Athens, curated by Dr David Anfam: https://neon.org.gr/en/exhibition/lynda-benglis-in-the-realm-of-the-senses/
You can see more at www.royalacademy.org.uk/exhibition/abstract-expressionism and www.clyffordstillmuseum.org/research-center/ and https://www.yahoo.com/entertainment/lifeline-clyfford-still-215646065.html
Dr David Bellingham
art historian, writer and lecturer and lecturer at Sotheby's institute of art
art historian, writer and lecturer and lecturer at Sotheby's institute of art
Dr David Bellingham is an art historian, author and Programme Director for the Masters Degree in Art Business at Sotheby’s Institute of Art, London. He also lectures on Classical Art and Architecture, and their reception in the modern era.
He holds a special honours degree in Latin and Classical Archaeology from the University of Birmingham, and a doctorate from the University of Manchester for his thesis on the cultural and socio-economic aspects of sympotic scenes in ancient Roman and Pompeian wall-painting. David has published numerous books and articles on a variety of subjects, including: art fairs; art business ethics; Greek & Celtic mythology; the paintings of Sandro Botticelli; and authenticity issues in the paintings of Frans Hals. David contributed three chapters to Art Business Today: 20 Key Topics (J Hackforth-Jones and Iain Robertson). In 2019 he delivered a paper at the Sotheby’s Institute 50th Anniversary Conference on ‘The Times-Sotheby Index, 1967-1971: A Window into the Art Market 50 Years Ago’.
He is currently writing an introductory book on the art market.
You can see more at www.sothebysinstitute.com.
He holds a special honours degree in Latin and Classical Archaeology from the University of Birmingham, and a doctorate from the University of Manchester for his thesis on the cultural and socio-economic aspects of sympotic scenes in ancient Roman and Pompeian wall-painting. David has published numerous books and articles on a variety of subjects, including: art fairs; art business ethics; Greek & Celtic mythology; the paintings of Sandro Botticelli; and authenticity issues in the paintings of Frans Hals. David contributed three chapters to Art Business Today: 20 Key Topics (J Hackforth-Jones and Iain Robertson). In 2019 he delivered a paper at the Sotheby’s Institute 50th Anniversary Conference on ‘The Times-Sotheby Index, 1967-1971: A Window into the Art Market 50 Years Ago’.
He is currently writing an introductory book on the art market.
You can see more at www.sothebysinstitute.com.
Averil Curci
art advisor
art advisor
Averil Curci
Art Advisor
Averil is a London-based art advisor and curator. Her advisory work specialises mainly in Photography and focuses on acquisitions, sales and commissions for international private clients. She also mentors photographers providing creative direction, strategic and commercial advice. Averil has recently been appointed Curator of Kovet.art, a soon-to-launch art tech start-up. Kovet.art will present a highly curated online platform that, together with pop-up exhibitions and a programme of events, will promote and sell the work of exciting, hand-picked emerging artists working across painting, drawing, photography, and print.
Her keen eye comes from 15 of years of experience working in the art world - starting in New York where she was the director for Hamburg Kennedy Art Advisory & Projects, an established photography consultancy. Following this, she became the director of Brancolini Grimaldi, a contemporary photography gallery born in Florence and Rome which expanded to London, Mayfair in 2011. There she worked closely with both emerging and established artists, curating exhibitions and art fairs, developing special projects, events and publications.
See more about Averil Curci at www.averilcurci.com
Art Advisor
Averil is a London-based art advisor and curator. Her advisory work specialises mainly in Photography and focuses on acquisitions, sales and commissions for international private clients. She also mentors photographers providing creative direction, strategic and commercial advice. Averil has recently been appointed Curator of Kovet.art, a soon-to-launch art tech start-up. Kovet.art will present a highly curated online platform that, together with pop-up exhibitions and a programme of events, will promote and sell the work of exciting, hand-picked emerging artists working across painting, drawing, photography, and print.
Her keen eye comes from 15 of years of experience working in the art world - starting in New York where she was the director for Hamburg Kennedy Art Advisory & Projects, an established photography consultancy. Following this, she became the director of Brancolini Grimaldi, a contemporary photography gallery born in Florence and Rome which expanded to London, Mayfair in 2011. There she worked closely with both emerging and established artists, curating exhibitions and art fairs, developing special projects, events and publications.
See more about Averil Curci at www.averilcurci.com
Anna Delgado
partner and arts committee chair at ashurst LLP
partner and arts committee chair at ashurst LLP
Anna is a finance partner in Ashurst's London office, specialising in international Debt Capital Markets transactions. Over the years, Anna has enjoyed spearheading a number of initiatives that bridge the gap between the different worlds of Corporate and Art. This has been possible through collaboration with organisations such as Love Art London and The Old Vic.
Mark Foxwell
creative director at genesis imaging
creative director at genesis imaging
Mark is the Creative Director of Genesis Imaging and has been a photographic printer for over 40 years. He has worked closely with both renowned and emerging photographers and artists. His prints have graced the walls of some of the top museums and galleries in the world, including MOMA and Tate Modern. He has been a guest lecturer at a number of London Universities and a portfolio reviewer for numerous platforms. He is consumed by photography as it is as much him as his DNA. His current aim and hope is to give back as much as he has gained from his passion.
See more about Genesis Imaging at www.genesisimaging.co.uk
See more about Genesis Imaging at www.genesisimaging.co.uk
Melanie Lenz
Curator at the V&A
Curator at the V&A
Melanie is the curator of Digital Art at the V&A. Based in London, she previously worked at the Barbican Art Gallery and Tate Modern and has over 15 years of experience of curating, commissioning and delivering creative projects.
Specialising in digital arts and culture, Melanie co-curated Chance and Control: Art in the Age of Computers (2018) and has published papers on early computer art in Latin America, gender and technology, collecting and conserving digital art. She has convened conferences on art, design and new technologies for health and has initiated art partnerships with a variety of organisations including Women Who Code and Great Ormond Street Hospital.
She is a guest lecturer at the Royal College of Art and has broadcast about digital art on Resonance FM, Radio 4 and BBC 2.
See more at https://www.vam.ac.uk/collections
Specialising in digital arts and culture, Melanie co-curated Chance and Control: Art in the Age of Computers (2018) and has published papers on early computer art in Latin America, gender and technology, collecting and conserving digital art. She has convened conferences on art, design and new technologies for health and has initiated art partnerships with a variety of organisations including Women Who Code and Great Ormond Street Hospital.
She is a guest lecturer at the Royal College of Art and has broadcast about digital art on Resonance FM, Radio 4 and BBC 2.
See more at https://www.vam.ac.uk/collections
howard lewis
collector and director of the schorr collection
collector and director of the schorr collection
Director of the Schorr Collection, a collection of 400-plus artworks, predominantly Old Masters acquired over four decades. Howard currently spends his time managing the collection and the numerous long term loans to institutions in the UK, US and beyond, including the Bodleian Library at Oxford University and The Walker Gallery in Liverpool.
You can see more at www.schorrcollection.org.uk.
You can see more at www.schorrcollection.org.uk.
Briony Marshall
sculptor and head of professional development at the art academy
sculptor and head of professional development at the art academy
Briony Marshall is a London based sculptor and installation artist, Council Member of the Royal British Society of Sculptors and Head of Professional Development of The Art Academy.
With a background in Biochemistry Briony Marshall is interested in the idea of art practice as research. She fuses an intellectual/conceptual approach with an intuitive, materials inspired process to develop sculptures that investigate the natural world and man’s place in it.
Briony has exhibited widely, has been selected for residencies at Pangolin London and in Pietrasanta Italy, has been named one of the Royal Society of Chemistry’s ‘175 faces of Chemisty’ and was recently shortlisted for the prestigious First@108 Public Art Award.
She is also very involved in both mentoring and peer mentoring of emerging artists, including for the highly competitive Royal British Society of Sculptor’s Bursary award.
You can see more at www.briony.com and www.rbs.org.uk.
With a background in Biochemistry Briony Marshall is interested in the idea of art practice as research. She fuses an intellectual/conceptual approach with an intuitive, materials inspired process to develop sculptures that investigate the natural world and man’s place in it.
Briony has exhibited widely, has been selected for residencies at Pangolin London and in Pietrasanta Italy, has been named one of the Royal Society of Chemistry’s ‘175 faces of Chemisty’ and was recently shortlisted for the prestigious First@108 Public Art Award.
She is also very involved in both mentoring and peer mentoring of emerging artists, including for the highly competitive Royal British Society of Sculptor’s Bursary award.
You can see more at www.briony.com and www.rbs.org.uk.
JOSH MCNORTON
CURATOR AND CULTURAL DIRECTOR FOR WEMBLEY PARK AT QUINTAIN LTD
CURATOR AND CULTURAL DIRECTOR FOR WEMBLEY PARK AT QUINTAIN LTD
Josh McNorton is a creative producer, festival director, arts programmer and curator. Josh grew up in Canada and moved to the UK in 2012 to produce a large-scale, outdoor entertainment programme for the London 2012 Olympic and Paralympic Games. From 2014 to 2016 Josh produced FutureFest, a festival in London about the future, for the UK innovation charity Nesta. Following FutureFest, Josh co-founded the world’s first festival of sensory arts and research, Open Senses, which debuted in London in May 2017. Josh was formerly the Head of Programmes at Rich Mix, East London’s independent arts centre, overseeing the delivery of 400 shows and events per year.
He recently joined Quintain Ltd as Cultural Director - Wembley Park and will lead the establishment of Wembley Park Arts, a dedicated cultural programme resulting from Futurecity‘s 3-year collaboration with Quintain to realise and develop Wembley Park’s Cultural Placemaking & Public Arts Strategies.
Wembley Park Arts will work across commissioning, co-production, cultural infrastructure support and develop local, national and international partnerships.
He recently joined Quintain Ltd as Cultural Director - Wembley Park and will lead the establishment of Wembley Park Arts, a dedicated cultural programme resulting from Futurecity‘s 3-year collaboration with Quintain to realise and develop Wembley Park’s Cultural Placemaking & Public Arts Strategies.
Wembley Park Arts will work across commissioning, co-production, cultural infrastructure support and develop local, national and international partnerships.
mark wippell
Portfolio Non Executive Director and Advisor, Collector
Portfolio Non Executive Director and Advisor, Collector
Mark is a non-executive director and adviser to both publicly traded and private companies. He works with both established businesses and growth companies and is an active mentor and investor in technology companies. He has mentored on the Techstars’ Barclays London Accelerator programme and is a member of the CW+ (the charity for Chelsea and Westminster Hospital NHS Foundation Trust)’s Innovation Advisory Group.
He has a long term interest and commitment to the visual and other forms of artistic expression. Many members of his family paint; and he and his wife have supported the Royal Academy of Arts and various musical charities for many years. They collect works ranging from 18th and 19th century water colours to paintings and etchings by living artists, including a number of Royal Academicians.
He has a long term interest and commitment to the visual and other forms of artistic expression. Many members of his family paint; and he and his wife have supported the Royal Academy of Arts and various musical charities for many years. They collect works ranging from 18th and 19th century water colours to paintings and etchings by living artists, including a number of Royal Academicians.
Sponsors
Ashurst is a leading global law firm with a rich history spanning almost 200 years. Our in-depth understanding of our clients and commitment to providing exceptional standards of service have seen us become a trusted adviser to local and global corporates, financial institutions and governments on all areas of commercial law.
Our people are our greatest asset. We bring together lawyers of the highest calibre with the technical knowledge, industry experience and regional know-how to provide the incisive advice our clients need.
We currently have 25 offices in 15 countries and a number of referral relationships that enable us to offer the reach and insight of a global network, combined with the knowledge and understanding of local markets. With 420 partners and a further 1,450 lawyers working across 10 different time zones, we are able to respond to our clients wherever and whenever they need us.
Our clients value us for being approachable, astute and commercially minded. As a global team we have a reputation for successfully managing large and complex multi-jurisdictional transactions, disputes and projects, and delivering outstanding outcomes for clients.
See more at www.ashurst.com
Our people are our greatest asset. We bring together lawyers of the highest calibre with the technical knowledge, industry experience and regional know-how to provide the incisive advice our clients need.
We currently have 25 offices in 15 countries and a number of referral relationships that enable us to offer the reach and insight of a global network, combined with the knowledge and understanding of local markets. With 420 partners and a further 1,450 lawyers working across 10 different time zones, we are able to respond to our clients wherever and whenever they need us.
Our clients value us for being approachable, astute and commercially minded. As a global team we have a reputation for successfully managing large and complex multi-jurisdictional transactions, disputes and projects, and delivering outstanding outcomes for clients.
See more at www.ashurst.com
Supporters
Cass Art, the UK’s leading art supplies retailer, is committed to supporting artists across the UK and is proudly supporting the Ashurst Emerging Artist Prize with £1,000 of gift vouchers for art supplies.
With fourteen locations across the UK, Cass Art shops are inspiring spaces for artists of all ages and abilities, stocking the best materials at the best possible prices.
See more at www.cassart.co.uk
With fourteen locations across the UK, Cass Art shops are inspiring spaces for artists of all ages and abilities, stocking the best materials at the best possible prices.
See more at www.cassart.co.uk
Rich Mix is East London’s independent arts venue and operates as a charity and social enterprise.
Once a vast leather factory, 35-47 Bethnal Green Road was transformed into a multi-arts venue, all 62,000 feet of it. Stretched over five floors we have a three screen cinema showing the latest releases as well as taking part in a number of independent film festivals. There is also a multitude of flexible performance spaces where we work with both emerging and established artists, and support them to deliver and develop their artistic practice.
Our aim is to be a place where the communities of the world, who are the citizens of East London and beyond, can come together to experience and make world class art and feel that it’s a place where they belong. We are committed to delivering excellent art to increasing and increasingly diverse audiences.
In addition to our full programme of cinema, live music, theatre, dance, spoken word, comedy, family activities and exhibitions, we are proud to be home to 20 creative businesses. All of whom help make Rich Mix the vibrant, special place it is.
See more at www.richmix.org.uk
Once a vast leather factory, 35-47 Bethnal Green Road was transformed into a multi-arts venue, all 62,000 feet of it. Stretched over five floors we have a three screen cinema showing the latest releases as well as taking part in a number of independent film festivals. There is also a multitude of flexible performance spaces where we work with both emerging and established artists, and support them to deliver and develop their artistic practice.
Our aim is to be a place where the communities of the world, who are the citizens of East London and beyond, can come together to experience and make world class art and feel that it’s a place where they belong. We are committed to delivering excellent art to increasing and increasingly diverse audiences.
In addition to our full programme of cinema, live music, theatre, dance, spoken word, comedy, family activities and exhibitions, we are proud to be home to 20 creative businesses. All of whom help make Rich Mix the vibrant, special place it is.
See more at www.richmix.org.uk
Genesis Imaging offers the highest quality services to transform your work into museum-quality showpieces.
Genesis Imaging offer an extensive range of photographic printing, professional mounting and bespoke framing services for image discerning clients in a broad range of industries. We work with the very best photographers, artists, interior designers, architects and individuals on wide-ranging projects from national and international exhibitions in galleries, museums and institutions to working on interior design and personal projects.
See more at www.genesisimaging.co.uk
Genesis Imaging offer an extensive range of photographic printing, professional mounting and bespoke framing services for image discerning clients in a broad range of industries. We work with the very best photographers, artists, interior designers, architects and individuals on wide-ranging projects from national and international exhibitions in galleries, museums and institutions to working on interior design and personal projects.
See more at www.genesisimaging.co.uk
Educational Partners
Sotheby’s Institute of Art is the graduate school of art and its markets with campuses in the cultural capitals of London and New York. Originally conceived as a training program for connoisseurship by Sotheby’s auction house in 1969, Sotheby’s Institute has pioneered the education of arts professionals. Today, the renowned Master’s program is the most prestigious degree-granting studies of its kind with over 8,000 alumni; professional and continuing education programs are also offered online throughout the year.
See more at www.sothebysinstitute.com
See more at www.sothebysinstitute.com
Media Partners
Made In Bed is an independently run website and magazine produced by students at Sotheby’s Institute of Art, London. We provide insight and perspective on the global art world through the research and creative endeavours of the Institute’s own student body and alumni. As art world professionals, we are dedicated to supporting and championing emerging artists.
See more at www.madeinbed.co.uk
See more at www.madeinbed.co.uk
Organisers
Oaktree & Tiger are art consultants and investment experts, based in Kensington and operating throughout London, focusing on emerging and establishing artists since 2010. We source, develop and work with artists through a range of activities from mentoring, organising exhibitions and connecting with art professionals and collectors. Our clients are individuals, corporates and artists, and we also source art for investment or rental.
We have given lectures on art business and investment at Sotheby’s Institute of Art and The Hospital Club with The Photographers’ Gallery. We have been featured in The Times and other publications, on art investment and our art projects. Our current projects operating the Ashurst Emerging Artist Prize, mentoring art businesses and entrepreneurs, and curation and management of the Ashurst Art Collection.
See more at www.oaktreeandtiger.com
We have given lectures on art business and investment at Sotheby’s Institute of Art and The Hospital Club with The Photographers’ Gallery. We have been featured in The Times and other publications, on art investment and our art projects. Our current projects operating the Ashurst Emerging Artist Prize, mentoring art businesses and entrepreneurs, and curation and management of the Ashurst Art Collection.
See more at www.oaktreeandtiger.com